This system of notation is interesting because it uses both typical staff notation alongside a numeric notation underneath. The first example comes from the Baroque era (about 1600) called figured bass or thoroughbass. In this case, I’m talking about when numbers are used for performance purposes, meaning the music was at least partially written down in a numeric form. There are mountains of books written on each of these topics, so please keep in mind I’m just scratching the surface of the surface here. In this article, I’ll look at some of the ways math and numeric notation have been incorporated into music theory. Music did not come from math, but numeric notation and mathematic operations work well to describe music. Notable sub-areas of music theory that work particularly well are: set theory, twelve-tone theory, scales, and tunings. In general, music theory maps well to mathematical concepts. Whether both deserve that “universal” status could be debated but there must be something to this idea that music and math are bonded in some way, right? But music shares a famous truism with math, they’re both “universal languages”. To be fair, virtually anything can or does involve numbers and math. ![]() ![]() This idea that music is math or at least mathematical, is one that I encountered often at the university.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |